Richard Diebenkorn

Richard Diebenkorn’s abstractions balance depth and surface, structure and field. His Ocean Park series stands among the most eloquent and luminous paintings of the 1960s and 70s.

Raised in San Francisco, Diebenkorn developed an early interest in art, particularly in the work of illustrators Howard Pyle and N.C. Wyeth. His service in World War II interrupted his education at Stanford University; after the war he continued his studies at the California School of Fine Arts (CSFA), where his teachers included David Park, who became an important influence and a close friend. During this period, Diebenkorn learned of the innovations of the New York School, and he gained first-hand knowledge of contemporary abstraction when he joined the faculty of the CSFA. His colleagues there included Clyfford Still and Mark Rothko.

During a period in Albuquerque in the early 1950s, he created abstracted paintings defined by linear planes and pinks and browns inspired by the local landscape. In the mid-1950s, Diebenkorn was exploring Abstract Expressionism through strong gesture and washes of color; the sense of landscape predominates in these compositions. Later in the decade, Diebenkorn returned to more figurative work--a move that distinguished his paintings from the abstract idioms that dominated the avant-garde art world. Along with his colleagues Park, Elmer Bischoff, and Nathan Oliveira, among others, Diebenkorn became known as a founder of the Bay Area figurative school. His images of people and interiors from this period are often structured by rectangular shapes and squared-off forms. These would develop into the grids that the artist would continue to employ as an organizing and anchoring principle for his work.