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Leah Guadagnoli

American, b. 1989
Leah Guadagnoli in her studio. Photo by Mark Holthusen
Leah Guadagnoli in her studio. Photo by Mark Holthusen

Incorporating elements of sculpture, painting, graphic design, and architecture, Leah Guadagnoli’s whimsical, idiosyncratic works defy easy classification.

Incorporating elements of sculpture, painting, graphic design, and architecture, Leah Guadagnoli’s whimsical, idiosyncratic works defy easy classification. The artist’s work expands on the Pop tradition by making use of readymade imagery and quotidian materials. Often drawing on the aesthetics of her Midwestern upbringing, the artist appropriates designs and patterns from the 1980s and ’90s—often considered kitschy—presenting them in fresh and dynamic ways. Guadagnoli’s creations are inherently accessible, referencing public spaces such as waiting rooms, movie theatres, bus seats, and casinos. A clear aesthetic descendant of Ruth Root and the Memphis Group, Guadagnoli reinterprets this imagery through a lens that is both nostalgic and forward-looking. Her work strikes a balance between hard-edged geometrical precision and free-form patterns. The result has a certain levity, as disparate materials transform and come together.

Incorporating elements of sculpture, painting, graphic design, and architecture, Leah Guadagnoli’s whimsical, idiosyncratic works defy easy classification. The artist’s work expands on the Pop tradition by making use of readymade imagery and quotidian materials. Often drawing on the aesthetics of her Midwestern upbringing, the artist appropriates designs and patterns from the 1980s and ’90s—often considered kitschy—presenting them in fresh and dynamic ways. Guadagnoli’s creations are inherently accessible, referencing public spaces such as waiting rooms, movie theatres, bus seats, and casinos. A clear aesthetic descendant of Ruth Root and the Memphis Group, Guadagnoli reinterprets this imagery through a lens that is both nostalgic and forward-looking. Her work strikes a balance between hard-edged geometrical precision and free-form patterns. The result has a certain levity, as disparate materials transform and come together.

 

Though the artist’s constructions often make use of prints and patterns that exist within an established design tradition, the fabrics are not themselves vintage—she uses Illustrator to digitally design and then hand-prints them. Her process brings together painted pumice stone, Plexiglass, acrylic-painted canvas, and geometric textiles wrapped around foam insulation. Here the source materials are removed from their utilitarian origins and deconstructed both physically and conceptually. In bringing together heterogeneous materials and imagery, Guadagnoli breaks down our associations of how these objects should function. Though these media come together harmoniously, the existence of their individual properties is emphasized; this visibility of the process and composition stands in sharp contrast to the industrial, mass-produced, and mass-consuming society for which these objects and images were intended.

 

Guadagnoli received a B.F.A. from the University of Illinois at Urbana-Champaign and completed her M.F.A. at Rutgers University in 2014. She has been in numerous group shows and solo presentations, most recently including Asya Gesiberg Gallery, New York in 2019 and Victori + Mo Gallery in Brooklyn in 2018. Guadagnoli is also dedicated to arts education and was a part-time lecturer at the Mason Gross School of Art in New Jersey, and founder of the Maple Terrace Artist Residency and Mentorship Program in New York City. She lives and works in New York State’s Hudson Valley.

News

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10 Abstract Artists Creating Eye-Catching Work You'll Want In Your Home - House Digest

10 Abstract Artists Creating Eye-Catching Work You'll Want In Your Home

House Digest, January 9, 2023
The Smithsonian National Museum of African Art in Washington, DC (photo by Lynn Allen via Flickr)

Week in Review: Senior SFMOMA Curator Resigns; Smithsonian Workers Cite Racism at National Museum of African Art

This Week in the Art World
July 17, 2020
Leah Guadagnoli Number One Song In Heaven, 2017 Hollis Taggart

How Galleries Are Supporting and Signing New Artists during the Pandemic

June 17, 2020
Kenichi Hoshine, The Magician and The Thief, 2019. Courtesy of the artist and Hollis Taggart.

US Galleries Expect 73 Percent Revenue Loss in Second Quarter, Venus Over Manhattan Withholds Rent, and More

May 22, 2020
Betirri Bengston, “Mexico Flora, Fauna & Football” (2018), Acrylic on Canvas, 60×48 inches (image courtesy the Pollock-Krasner foundation)

Week in Review: Attorney Accuses Whitney Museum of “Smear Campaign”; Met Museum Extends Closure

This Week in the Art World
May 22, 2020
Leah Guadagnoli

11 Emerging Artists Redefining Abstract Painting

January 6, 2020
Leah Guadagnoli in her studio, 2019

Leah Guadagnoli - Untitled/Miami

December 2019
White Cube Expands to Paris, Proyectos Ultravioleta Wins Prize at Frieze London, and More, Hollis Taggart will open a new...

White Cube Expands to Paris, Proyectos Ultravioleta Wins Prize at Frieze London, and More

Hollis Taggart will open a new location
October 4, 2019
ARTnews in Brief, Hollis Taggart Will Open New Chelsea Space, Greene Naftali Now Represents Jana Euler and Walter Price, and...

ARTnews in Brief

Hollis Taggart Will Open New Chelsea Space, Greene Naftali Now Represents Jana Euler and Walter Price, and More from September 24, 2019
September 24, 2019
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Publications

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Of the Past and Present: Estates and Contemporary Artists at Hollis Taggart
Of the Past and Present: Estates and Contemporary Artists at Hollis Taggart
$ 40.00
Leah Guadagnoli: Love Lies Bleeding catalogue
Leah Guadagnoli: Love Lies Bleeding
$ 20.00
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